Bonus 35: Outdoor microphone testing 3

I wasn’t happy with any of the microphones I tested in the prior recording (Bonus 34: Outdoor microphone testing 2).

So I purchased another new microphone, and I like this one the best!  It has the best balance so far of audio quality and rejection of distant sounds.

In this recording you will hear a head-to-head test of the old microphone I used for most of my prior outdoor recordings (eg, Bonus 31: Outdoors in local Wetlands) and the new microphone.

I also posted a photo so you can see how I wore these two microphones on my head, much less silly than the Crazy Microphone Hat I used in Bonus episode #33 – but still a little silly.

You can see the photo here: https://www.patreon.com/sleepwhispers/posts

Bonus 34: Outdoor microphone testing 2

Another outdoor test with a bunch of microphones.  My prior test was with microphones I already owned.  This test is with 3 new microphones I recently purchased (except the first one).

The first microphone is the one I have used for most of my prior outdoor recordings.  It has great audio quality, but it picks up a lot of distant sounds because it is omnidirectional.  You can compare the 3 new microphones with this microphone.

All of the new microphones I purchased are cardioid (unidirectional), so they should pick up less distant sounds, although… small cardioid mics don’t usually sound as good as small omnidirectional mics.

I don’t think any of these new mics give a good balance of audio quality and rejecting distant sounds – but, you can be the judge!

Here are the mics and time codes so you can jump back and forth to compare:

  1. Starts at 0m0s: omnidirectional (Fusion) – usual mic
  2. Starts at 9m10s: cardioid/unidirectional (Pyle) – contender 1
  3. Starts at 12m38s: cardioid/unidirectional (Mic J) – contender 2
  4. Starts at 15m31s: cardioid/unidirectional  (Maker Hart) – contender 3

You can see a photo of all the microphones here: https://www.patreon.com/sleepwhispers/posts

Bonus 33: Outdoor with Crazy Microphone Hat

Based on the results of my recent test with 11 microphones, I decided to try a set of the microphones from that test that sounded better than my prior microphones.

I had to invent a “Crazy Microphone Hat” to use these larger microphones outside, position them next to my mouth, and keep my hands free.  It is the ugliest and most ridiculous thing…but it kinda worked to do what I wanted.

You can see a photo of the Crazy Microphone Hat here: https://www.patreon.com/sleepwhispers/posts

Bonus 32: Outdoor microphone testing 1

I’ve decided that I’m not happy with the microphones I’ve been using to record outdoors.  They are picking up too many of the distant sounds in the environment.

So I decided to test eleven of my microphones to see which type might work better.  That’s right, welcome to Harris going all techy, geeko, and nerdapalooza for almost a full hour.  I tested various types of microphones ranging in cost from $30 to $1000.

You can see a photo of the microphones here: https://www.patreon.com/sleepwhispers/posts

Here are some terms I use in this recording:

  • Mini-boom mic: a small microphone that you might see on a gamer headset or used by a telemarketer.
  • Boom: a long shotgun microphone that you might see on a long boom pole at a movie or TV film set.
  • Condenser mic: a microphone type with more sensitivity for picking up distant sounds.
  • Dynamic mic: a microphone type with less sensitivity for picking up distant sounds.
  • Polar pattern: the focus pick-up area of the microphone, such as omni (from all directions), cardioid (mostly from the front), and super-cardioid or hyper-cardioid (very much from the front).
  • Diaphragm: the specific part of the microphone which captures the sound waves – diaphragm size may be small, medium, or large.  Larger ones capture higher quality sound.

Here are the time codes to the different microphones tested.  I also included a rating score:
<1> = low rating due to most distant sounds
<5> = high rating due to least distant sounds

  • 0m:0s Mic #1 (FUSION, condenser, cardioid, mini-boom):  <2>
  • 12m:0s Mic #2 (VMODA, condenser, cardioid, mini-boom):  <3>
  • 17m:22s Mic #3 (CAD, condenser, omni-setting):  <1>
  • 20m:5s Mic #3 (CAD, condenser, cardioid-setting):  <3>
  • 21m25s Mic #3 (CAD, condenser, super-cardioid-setting):  <4>
  • 22m45s Mic #3 (CAD, condenser, omni-setting again):  <1>
  • 24m20s Mic #4 (TASCAM, condenser, cardioid, candle-stick):  <4.5>
  • 28m0s Mic #5 (POLSEN, condenser, cardioid, candle-stick):  <5>
  • 30m40s Mic #6 (SENN-MKE, condenser, super-cardioid, boom):  <5>
  • 33m55s Mic #7 (SENN-MKH, condenser, super-cardioid, boom):  <4>
  • 37m55s Mic #8 (PYLE, dynamic, cardioid, handheld):  <3>
  • 40m40s Mic #9 (SAMSON, dynamic, cardioid, handheld):  <2.5>
  • 44m50s Mic #10 (ATR, dynamic, cardioid, handheld):  <3>
  • 48m30s Mic #11 (SENN-835, dynamic, cardioid, handheld):  <3>

Summary: Cardioid was definitely better than Omni for recording outside.  Surprisingly, I think some condenser mics sounded better than the dynamic mics for rejecting distant sounds without adding extra hiss.  I think mics #5 and #6 picked up the least distant sounds.

Bonus 31: Outdoors in local Wetlands

My first outdoor recording in a local wetland conservation area.  I think I called it a “swamp” in the recording – it is not that extreme, I wasn’t wrestling alligators.  I did test my newest fuzzy windscreens which worked perfectly.

I also posted a photo on my Patreon site so you can see what I am referring to when I mention things like lantern, boardwalk, reeds, and pom poms.

Disturbing background noises like dogs barking, cars driving by and other non-relaxing sounds are not as bad as in my backyard or in my neighborhood, but they are still present – so unfortunately this is not yet the peaceful nature experience that I hope to record someday : )

Bonus 30: Big Batch #4 – Chats (from episodes 106, 111, 116)

Enjoy over 2 hours of Updates & Feedback from prior Chat episodes.

I took 3 prior Chat episodes brimming with Updates & Feedback, removed their introductions, normalized their volumes, and pasted them together.

I hope you enjoy this 100% pure and extended Chat experience.

Note: I have improved my audio quality over time, so segments from earlier episodes may not sound as good as the segments from later episodes.  Also, as appropriate, see original episode show notes for resources and credits.

Start times so you can jump to a specific segment:

  • Start: 0h:0m:0s – 106 Chat
  • Start: 0h:40m:17s – 111 Chat
  • Start: 1h:36m:20s – 116 Chat

Bonus 29: Big Batch #3 – Guided Relaxations (from episodes 23, 47, 61, 89, 103, 123, 140)

Enjoy almost 2 hours of Guided Relaxations & Guided Meditations from prior Fade Out episodes.

This bonus episode begins in a similar way as the public episode “160 Batch: Guided Relaxations from episodes 23, 47, 61”, but it starts with a Tuck In and I extended it with 4 additional Guided Relaxations!

Overall, I took 7 prior Fade Out episodes with Guided Relaxations, removed their introductions, normalized their volumes, pasted them together, and added one Tuck In at the start.

I hope you enjoy this 100% pure and extended Fade Out experience.

Note: I have improved my audio quality over time, so the initial segments may not sound as good as the later segments.  Also, as appropriate, see original episode show notes for resources and credits.

Start times so you can jump to a specific segment:

  • Start: 0h:0m:0s – Tuck In
  • Start: 0h:4m:30s – 23 Fade Out – Guided Relaxation
  • Start: 0h:18m:35s – 47 Fade Out – Guided Meditation
  • Start: 0h:31m:05s – 61 Fade Out – Guided Relaxation
  • Start: 0h:40m:50s – 89 Fade Out – Thoughts Like Water
  • Start: 0h:52m:00s – 103 Fade Out – Body Scan
  • Start: 1h:14m:50s – 123 Fade Out – Sound in the Forest
  • Start: 1h:34m:10s – 140 Fade Out – Lucid Dreaming